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On What Reef Wisdom Founders

What is our insomnia but the mad obstinacy of our mind in manufacturing thoughts and trains of reasoning, syllogisms and definitions of its own, refusing to abdicate in favor of that divine stupidity of closed eyes, or the wise folly of dreams.

[…]

But books lie, even those that are most sincere. The less adroit, for lack of words and phrases wherein they can enclose life, retain of it but a flat and feeble likeness. Some, like Lucan, make it heavy, and encumber it with a solemnity which it does not possess; others, on the contrary, like Petronius, make life lighter than it is, like a hollow, bouncing ball, easy to toss to and fro in a universe without weight. The poets transport us into a world which is vaster and more beautiful than our own, with more ardor and sweetness, different therefore, and in practice almost uninhabitable. The philosophers, in order to study reality pure, subject it to about the same transformations as fire or pestle make substance undergo: nothing that we have known of a person or of a fact seems to subsist in those ashes or those crystals to which they are reduced.

[…]

A part of every life, even a life meriting very little regard, is spent in searching out the reasons for its existence, its starting point, and its source. My own failure to discover these things has sometimes inclined me toward magical explanations, and has led me to seek in the frenzies of the occult for what common sense has not taught me. When all the involved calculations prove false, and the philosophers themselves have nothing more to tell us, it is excusable to turn to the random twitter of birds, or toward the distant mechanism of the stars.

[…]

I should say outright that I have little faith in laws. If too severe, they are broken, and with good reason. If too complicated, human ingenuity finds means to slip easily between the meshes of this trailing but fragile net. Respect for ancient laws answers to what is deepest rooted in human piety, but it serves also to pillow the inertia of judges. The oldest codes are a part of that very savagery which they were striving to correct; even the most venerable among them are the product of force. Most of our punitive laws fail, perhaps happily, to reach the greater part of the culprits; our civil laws will never be supple enough to fit the immense and changing diversity of facts. Laws change more slowly than custom, and though dangerous when they fall behind the times are more dangerous still when they presume to anticipate custom. And nevertheless from that mass of outworn routines and perilous innovations a few useful formulas have emerged here and there, just as they have in medicine. The Greek philosophers have taught us to know something more of the nature of man; our best jurists have worked for generations along lines of common sense. I have myself effected a few of those partial reforms which are the only reforms that endure. Any law too often subject to infraction is bad; it is the duty of the legislator to repeal or to change it, lest the contempt into which that rash ruling has fallen should extend to other, more just legislation. I proposed as my aim a prudent avoidance of superfluous decrees, and the firm promulgation, instead, of a small group of well-weighed decisions. The time seemed to have come to evaluate anew all the ancient prescriptions in the interest of mankind.

[…]

and what is the act of love, itself, if not a moment of passionate attention on the part of the body?

—Marguerite Yourcenar, Memoirs of Hadrian, translated by Grace Frick

The Shadow More Real

Efter någons död After a death
Det var en gång en chock
som lämnade efter sig en lång, blek, skimrande kometsvans.
Den hyser oss. Den gör TV-bilderna suddiga.
Den avsätter sig som kalla droppar på luftledningarna.

Man kan fortfarande hasa fram på skidor i vintersolen
mellan dungar där fjolårslöven hänger kvar.
De liknar blad rivna ur gamla telefonkataloger –
abonnenternas namn uppslukade av kölden.

Det är fortfarande skönt att känna sitt hjärta bulta.
Men ofta känns skuggan verkligare än kroppen.
Samurajen ser obetydlig ut
bredvid sin rustning av svarta drakfjäll.

Once there was a shock
that left behind a long, shimmering comet tail.
It keeps us inside. It makes the TV pictures snowy.
It settles in cold drops on the telephone wires.

One can still go slowly on skis in the winter sun
through brush where a few leaves hang on.
They resemble pages torn from old telephone directories.
Names swallowed by the cold.

It is still beautiful to hear the heart beat
but often the shadow seems more real than the body.
The samurai looks insignificant
beside his armor of black dragon scales.

—Tomas Tranströmer, translated by Robert Bly. Tranströmer reading the original.

A Hundred Scarequotes Feed

§(61) Americanism. Could Americanism be an intermediate phase of the current historical crisis? Could the conglomeration of plutocratic forces give rise to a new phase of European industrialism on the model of American industry? The attempt will probably be made (rationalization, Bedaux system, Taylorism, etc.). But can it succeed? Europe reacts, setting its cultural traditions against “virgin” America. This reaction is interesting not because a so-called cultural tradition could prevent a revolution in industrial organization, but because it is the reaction of the European “situation” to the American “situation.” In reality, Americanism, in its most advanced form, requires a preliminary condition: “the rationalization of the population”; that is, that there do not exist numerous classes without a function in the world of production, in other words, absolutely parasitic classes. The European “tradition,” by contrast, is characterized precisely by the existence of these classes, created by the following social elements: state administration, clergy and intellectuals, landed property, commerce. The older the history of a country, the more have these elements left, over the centuries, sedimentations of lazy people who live on the “pension” left by their “ancestors.” It is extremely difficult to have statistics of these social elements because it is very hard to find the “category” that could encompass them. The existence of certain forms of life provides some indications. The considerable number of large and medium-sized urban clusters without industries is one of these indications, perhaps the most important one. […] Goethe was right to reject the myth of the organic “lazzaronismo” of the Neapolitans and to point out that they are, rather, very active and industrious. The question, however, consists in finding out the real results of this industriousness: it is not productive, and it is not aimed at satisfying the needs of productive classes. Naples is a city where the southern landowners spend the income from their agrarian property; a large part of the city, with its artisanal industries, its peddling trades, the incredible partitioning of the immediate supply of goods or services among the loafers who roam the streets, is structured around tens of thousands of these landowning families, of greater or lesser economic importance, with their retinues of personal servants and lackeys. Another important part is made up of wholesale trade and transportation. “Productive” industry constitutes a relatively small part.

[…]

The phenomenon of Naples is repeated in Palermo and in a whole series of medium-sized and small cities, not only in the South and the Islands but also in Central Italy (Tuscany, Umbria, Rome) and even in Northern Italy (Bologna, to some extent, Parma, Ferrara, etc.). (When a horse shits, a hundred sparrows feed.)

—Antonio Gramsci, Prison Notebooks, Volume 1 (emphasis mine)
via Anthony [Timesflow]

Refute Kant Using Pedantry and “Sadism”

If I were so inspired, I could challenge any one of my classmates to a debate on any of the daily lessons. I would call his name, he would stand up, I would announce my challenge and ask him a question. The language of these jousts was strictly medieval: “Contra te! Super te!” (Against you! Above you!) “Vis cento?” (Do you want to bet a hundred?) “Volo!” (Yes!) At the end of the tourney, the professor designated a winner, and both combatants went back to their seats.

I also remember my philosophy course where the professor, smiling with pity and compassion, explained the doctrines of “poor” Kant, who was so lamentably deceived in his metaphysical reasoning. We took notes frantically, because in the next class the professor often called on a student and demanded: “Refute Kant for me!” If the student had learned his lesson well, he could do it in two minutes.

[…]

It was in Calanda that I had my first encounters with death, which along with profound religious faith and the awakening of sexuality constituted the dominating force of my adolescence. I remember walking one day in the olive grove with my father when a sickeningly sweet odor came to us on the breeze. A dead donkey lay about a hundred yards away, swollen and mangled, serving as a banquet for a dozen vultures, not to mention several dogs. The sight of it both attracted and repelled me. Sated, the birds staggered about the cadaver, unable to take to the air. (The peasants never removed dead animals, convinced that their remains were good for the soil.) I stood there hypnotized, sensing that beyond this rotten carcass lay some obscure metaphysical significance. My father finally took hold of my arm and dragged me away.

Another time, one of our shepherds was killed by a knife in the back during a stupid argument. There was an autopsy, performed in the chapel in the middle of the cemetery by the village doctor, assisted by the barber. Four or five of the doctor’s friends were also present. I managed to sneak in, and as a bottle of brandy passed from hand to hand, I drank nervously to bolster my courage, which had begun to flag at the sounds of the saw grinding through the skull and the dead man’s ribs being broken, one by one. When it was all over, I was blind drunk and had to be carried home, where I was severely punished, not only for drunkenness but for what my father called “sadism.”

[…]

While we’re making the list of bêtes noires, I must state my hatred of pedantry and jargon. Sometimes I weep with laughter when I read certain articles in the Cahiers du Cinéma, for example. As the honorary president of the Centro de Capacitación Cinematográfica in Mexico City, I once went to visit the school and was introduced to several professors, including a young man in a suit and tie who blushed a good deal. When I asked him what he taught, he replied, “The Semiology of the Clonic Image.” I could have murdered him on the spot.

[…]

Imaginatively speaking, all forms of life are equally valuable—even the fly, which seems to me as enigmatic and as admirable as the fairy.

[…]

… what’s always intrigued me about the behavior of heretics is not only their strange inventiveness, but their certainty that they possess the absolute truth. As Breton once wrote, despite his aversion to religion, the surrealists had “certain points of contact” with the heretics.

—Luis Buñuel, from his autobiography, My Last Sigh

Lost Word

I forgot a word meaning “collection of quotations,” and I thought it started with F, maybe. Via OneLook’s reverse dictionary, I found the following, and defined them with the OED:

  • sottisier, n. — A collection of sottises; esp. a list of written stupidities. Also transf. and fig.
  • cento, n. — 1. A piece of patchwork; a patched garment. 2a. ‘A composition formed by joining scraps from other authors’ (Johnson). 2b. more loosely: cf. ‘string’, ‘rigmarole’.
  • disjecta membra, Latin phr. — An alteration of Horace’s disjecti membra poetæ ‘limbs of a dismembered poet’, used = Scattered remains.
  • delectus, n. — A selection of passages from various authors, esp. Latin or Greek, for translation.
  • empyema, n. — 1. ‘A collection of pus in the cavity of the pleura, the result of pleurisy. The term has also been used to denote any chronic inflammatory effusion in the chest’ (New Sydenham Soc. Lexicon). 2. In wider sense: Suppuration. rare. 3. ‘An operation to discharge all sorts of matter with which the midriff is loaded by making a perforation in the Breast’ (Kersey). Obs.
  • congeries, n. — A collection of things merely massed or heaped together; a mass, heap.
  • florilegium, n. — 1a. lit. A collection or selection of flowers; used transf. in the title of a book. 1b. A collection of the flowers of literature, an anthology. 2. Also in anglicized form floˈrilegy n.

Can’t remember now if the word I forgot was florilegy, but I suspect so.

Chipper From The Start

I suffered from several indefinable illnesses and could never really decide whether I wanted to live at all. Deep down in my consciousness, I can recall my actual condition, the stench of my body’s secretions, the damp chafing clothes, the soft glow of the nightlight, the door into the next room just ajar, the nursemaid’s deep breathing, pattering steps, whispering voices, reflections of the sun in the carafe of water. I can recall it all, but I do not remember any fear. That came later.

—Ingmar Bergman describes his childhood in The Magic Lantern

Some Kind of Skin Disease

Well Frank settled down in the Valley
and he hung his wild years
on a nail that he drove through
his wife’s forehead
he sold used office furniture
out there on San Fernando Road
and assumed a $30,000 loan
at fifteen and a quarter percent and put a down payment
on a little two bedroom place
his wife was a spent piece of used jet trash
made good bloody marys
kept her mouth shut most of the time
had a little Chihuahua named Carlos
that had some kind of skin disease
and was totally blind. They had a thoroughly modern kitchen
self-cleaning oven (the whole bit)
Frank drove a little sedan
they were so happy

One night Frank was on his way home
from work, stopped at the liquor store,
picked up a couple Mickey’s Big Mouths
drank ’em in the car on his way
to the Shell station, he got a gallon of
gas in a can, drove home, doused
everything in the house, torched it,
parked across the street, laughing
watching it burn, all Halloween
orange and chimney red then
Frank put on a top forty station
got on the Hollywood Freeway
headed North

Never could stand that dog.

—Tom Waits, Frank’s Wild Years, lyrics

Wasted And Wounded, It Ain’t What The Moon Did

and it’s a battered old suitcase
to a hotel someplace
and a wound that will never heal
no prima donna, the perfume is on
an old shirt that is stained with blood and whiskey
and goodnight to the street sweepers
the night watchman flame keepers
and goodnight Matilda, too.

—Tom Waits, Waltzing Matilda, full lyrics

Go Alone in the Middle of the Feast

We have another classical text, Lucretius’ De rerum natura where personal immortality is denied. The most memorable of the arguments given by Lucretius is this: A person complains that he is going to die. He thinks that the future will forget him. As Victor Hugo said, “He will go alone in the middle of the feast / nothing will be missing in the radiant and happy world.” In that great poem, as ambitious as Donne’s, Lucretius uses the following argument: “You are pained because you lack the future. Yet you believe that before you was an infinite time, that, when you were born, the moment had already passed when Carthage and Troy battled to rule the world. It doesn’t matter to you. So why should it matter what shall come? You have lost the infinite past, what matter if you lose the infinite future?” This is what Lucretius says. It’s a pity that I don’t know enough Latin to remember his beautiful lines, which I have been reading lately with the help of a dictionary.

—Jorge Luis Borges, from his lecture entitled, “Immortality”

Your Soul Unblessed Forever

“Then, in a dirty alley in the poorest quarter of the town, he had got into conversation with an old blind man, a very old beggar who crouched at a street corner and held out his shaking hand in the hope that someone would drop something into it. This seemed an odd thing in a street where all must have been equally poor, but he said that in earlier days he had begged in the temple court and beside the sacred way, though now he could no longer go so far.

“When we had begun to talk of this together I told him of my own cares, of my long, vain wayfaring to Delphi, and of my distress because the oracle had been unable to give me an answer. He listened to me with compassion and understood me well, though he thought it strange that there should be anything which the Delphic oracle could not answer. ‘You must have put hard questions,’ he said.

“But when he had thought it over he went on reflectively: ‘There may be one who can help you. One who can answer all that a man can ask.’ And he told me that up in the mountains there lived an old priestess of the oracle, an ancient pythia, cursed and hated by all because she had committed a crime against god. Against the temple and against god and against all sacred things; yet she was a great and mighty sibyl. No priestess in Delphi had ever been so great, so beloved and possessed by god as she. She had prophesied with her mouth wide open, and no one had been able to endure the sight of her when she was filled with her god. His own breath had issued from her mouth and her speech had been as wild as fiery flames, it was said; for thus did he love her. He refused to speak through anyone but her, and did so for many years.”

—Pär Lagerkvist, The Sibyl